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The speaker’s childhood innocence makes the disappointment seem like a real calamity and intensifies the emotional suffering caused by apparently small events. - Heaney
In Heaney’s poem, tasting the first blackberry brings intense sensual pleasure, thorn pricks add mild pain, and discovering the “rat-grey fungus” turns the experience into undiluted pain.
Compléments
In “Ode on Melancholy”, Keats uses “aching Pleasure” to present pain and pleasure as inseparable.
The poem’s ending combines the gloomy rhyme “red / not” with the speaker’s bitter despair: “I always felt like crying It wasn’t fair.” - Heaney
La découverte du fruit gâté transforme le plaisir de la cueillette en douleur
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Briony’s innocence and naivety magnify her disappointment and shape her mistaken interpretation of events.
Influenced by the letter, Briony interprets the library encounter through her naivety, believes Robbie is a “maniac”, and thinks he is assaulting or raping Lola; her ignorance of adult relationships leads to devastating consequences.
Compléments
L’innocence de Briony enfant s’oppose à la complexité des relations adultes
At the dinner table, Robbie fears the revelation of the letter in which he used the word “cunt” and the fact that he and Cecilia had sex in the library.
Although Briony has a letter and the reader expects it to be Robbie’s letter, the twist is that it is the twins’ announcement that they have run away.
La lettre attendue de Robbie est remplacée par celle des jumeaux
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Compléments
Emily sees Hermione’s life as imposed upon her own, but the course warns that it is too simplistic to say childhood determines adult life.
Emily’s childhood feels like a ghost that haunts her, while her ten-year-old self seems tangible and close enough to touch.
Emily compares her relationship with the past to “shot silk”, an image suggesting a complex weave.
Le passé d’Emily est un fantôme qu’elle peut presque toucher
McEwan depicts the social realities of upper-class England in 1935 and the position of women within it.
When Leon returns, he takes the role of “the master of the house”, snatches the phone from Emily, tells her to sit down, and turns his back to her to speak to his father, leaving her excluded and alone.
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Briony’s pride in her creative imagination is presented as her fatal flaw; she thinks the adults see her as “a genius, a god”.
Briony treats life as fiction, imagining herself as both author and character and believing her creative ability gives her special powers.
Briony’s pride and mistaken accusation against Robbie lead her to ruin his life and leave her tormented by guilt.
Compléments
Briony congratulates herself on her “wise grasp” of her own ignorance, but the child’s pseudo-maturity hides her failure to understand life beyond the nursery.
Briony’s choice to call her act a “crime” indicates guilt and acknowledgement of the gravity of her accusation against Robbie.
L’orgueil de Briony nourrit son erreur, puis sa culpabilité
Teste tes connaissances sur Innocence and Guilt in Atonement avec 14 questions à choix multiples et corrections détaillées.
1. Dans le poème de Heaney, qu’est-ce qui transforme le plaisir initial de la dégustation des mûres en douleur sans mélange ?
2. Pourquoi un événement apparemment mineur provoque-t-il une souffrance émotionnelle intense chez le locuteur enfant de Heaney ?
Mémorisez les concepts clés de Innocence and Guilt in Atonement avec 31 flashcards interactives.
What does the first blackberry taste bring in Heaney’s poem?
Intense sensual pleasure.
What transforms the blackberry experience into undiluted pain in Heaney’s poem?
Discovering the “rat-grey fungus.”
What effect does the speaker’s childhood innocence have on small disappointments in Heaney’s poem?
It makes them seem like real calamities and intensifies his emotional suffering.
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